Friday, 20 February 2015

5 Top Tips for Bluegrass Beginners

1. Listen to Bluegrass Music

Buy or borrow albums of your favourite Bluegrass singers and musicians and play as often as you can. Listen to the solo part for your instrument and also how the musicians back one another up.

"...having the sounds in your ears, brain and heart, you'll know in advance what you are looking for"


"The Complete 5-String Banjo Player" By Tony Trischka

Photograph courtesy of Pinterest

Make full use of YouTube - it's a fantastic free resource for you to exploit. I can't start playing a new tune unless I have heard it first, and so YouTube is always my starting point.

Play your music as often as you dare without making your spouse or children leave home! It's a mystery to me why the whole world does not love Bluegrass but the naked truth is that most people don't get it!

2. Find a Teacher

You may be able to teach yourself if you are a talented musician or have a number of Bluegrass friends, but most people need assistance or progress will be very slow and there is always the added danger of giving up. I was lucky as I had a teacher on my doorstep but you may not be so fortunate. Here the British Bluegrass Association (BBMA) can help you as they keep a directory of UK teachers on their website.

Photograph courtesy of telegraph.co.uk

You will find a number of free online lessons but if you are serious about online tuition get the appropriate software on your computer (eg Skype) and sign up to a proper school. There are many to choose from. I have no actual experience of online tuition but Artist Works Academy of Bluegrass looks like a good organisation.


3. Tablature or No Tablature?


I have met a few people who are completely opposed to the use of tablature (tab) and advocate learning by ear. Most Bluegrass beginners, however, including myself find tab an invaluable tool to assist in the learning process.

Photograph courtesy of educatorstechnology.com 

Once you have mastered the tune with tab the next step is to commit it to memory and play it without the tab. One advantage of tab is that you can return to a tune you could play a few years back but have now forgotten. With the help of tab you should quickly remember how to play it.

Tab exists for most of the instruments used in Bluegrass music and is widely available free of charge on the internet. I use the tab achieve of banjohangout.com. Similar tab libraries are available for other instruments.

4. Practice

A 90 year old cello player was recently asked,
"Why do you practice every day?"
He replied,
"Because I think that I am getting better"

I recommend practicing everyday. Yes easy for me to say but hard for all of us to achieve in reality. We all lead busy lives and have to juggle work, family commitments and other hobbies. And then some days we get plain lazy or find good excuses not to play.


Well it looks like a banjo
Photograph courtesy of rajasthantour4u.com

I aim to practice everyday but it doesn't always work out that way. Some days I manage half an hour and on a good day it will be an hour. Many would say this is not long enough but at my age I am not trying to set the world on fire but just play a few tunes I love together with others.  Many professional musicians practice 5 or 6 hours a day and that is the sort of commitment you will need to mix it with the best people.

5. Play with Other Musicians

My teacher will laugh at this recommendation because I am a sinner. I am what is known as a "bedroom banjoist". I can play well at home but once I try to join in with other musicians it often goes wrong. I am always surprised at the speed the more experienced musicians play. The session I attend allows me to start the tune off at my speed (slow) and then the others take over and rack up the speed. Playing on my own I tend only to play melody and consequently my knowledge of chords is not as good as I would like.  Also if you only play on your own you will have no experience of backing up other instruments while they are playing their solo part.

Bluegrass sessions are a good place to meet like minded people and learn the craft of playing with others - hopefully in harmony. In Herefordshire we have a monthly session led by Martin Blake. It is held on the first Wednesday of every month at the Victory Inn, Hereford.


Hereford Sessions, Martin and Gillie
Hereford Sessions, Denis and Ed
Hereford Sessions, Frank, Nye and Jeremy

During the summer months there are festivals and events most weekends. Here there will be ample opportunity to play with musicians at your level of experience during the daytime and then sit back and enjoy the evening concerts.  The British Bluegrass Association website has a list of festivals and events so you can check out what is happening in your area.

Thursday, 12 February 2015

Sore Fingers Summer School (SFSS)

After I had been playing for a year or so my teacher, Martin Blake, suggested I might benefit by attending SFSS. And when I discovered he was the tutor for the beginners Bluegrass class I signed up immediately.

SFSS is a 5 day residential course held at Kingham Hill School in the Cotswolds, Gloucestershire. The Cotswolds is one of the most beautiful regions of England with its stone built houses and fields bordered by dry stone walls. I drove to Kingham from Herefordshire on a glorious sunny day. The scenery was beautiful, I was excited but a little nervous.


The Cotswolds courtesy of candypop.uk.com


Tuition is provided for all the instruments used in Bluegrass and Old-Time music. After formal lessons in the day the evenings are filled with jam sessions in the bars. I found that meeting like-minded people who play different instruments and are at the same level (or a little better) than me to be both beneficial and enjoyable.


The Refectory and Social Centre at Kingham Hill School

A jam session with Tall Paul taking centre stage on the banjo

Left to right, Martin Blake, Chris Aggs, Simon Winner and Gillie Guest


The cost of the summer school is composed of three parts: tuition, accommodation and food. I decided to go for the complete package in order to soak up the full experience. The accommodation is mostly dormitory style and pretty basic. I had a bunk bed and since my bad back precluded me from climbing the ladder I had to move the mattress to the floor. The toilet was a fair walk away and the food could only be described as school dinners - I guess we were in a school.

I did return to SFSS the following year but this time I signed up for tuition only. It is possible to camp on the site but I decided to stay in a local hotel, for me this was the best of both worlds. Remember the most important part of this week is the music, the learning experience, meeting good musicians and the friendships forged with fellow students.

One of the benefits of attending SFSS is that you get to meet and chat with top musicians from the Bluegrass world. I was able to socialise with Leon Hunt, Tony Trischka, Richard Bailey (Steeldrivers) and Greg Cahill (Special Consensus). All of these top name players found the time to chat and give advice. The latest album from Special Consensus is called "Country Boy" and is a tribute to the late John Denver. To hear a track from the album follow the link.



Tony Trischka photo courtesy of banjohangout.org

Leon Hunt photo courtesy of www.vebidoo.de



Students are encouraged to meet in the evenings and to set up "scratch bands". The idea is that these newly formed units will perform at the Student Concert on the Wednesday evening. Fortunately playing at this concert is not mandatory and I was able to decline the invitation. I was certainly not good enough at the time and anyway I would have never conquered my nerves!

The culmination of the week is the Tutor's Concert on the Thursday night. The link takes you to Tyler Grant, one of the guitar tutors, performing with a group of other tutors.


The class of 2011, Martin Blake in the centre, me (with no banjo) top left


The next SFSS will be the 20th and held on 6 - 10 April 2015. To book contact Moira Wirtz.

Saturday, 7 February 2015

Bluegrass Picking in Worcestershire

Wharf Picking Weekend

I had just bought my Recording King banjo and was ready to get picking. I discovered that there was a Bluegrass weekend camp not too far from were I live, so I decided to attend.  It was held in a pub called The Wharf Inn on the banks of the River Severn in Worcestershire. I paid my camping fees and entered the pub. There were small groups in every corner of the room chatting or playing, and so I gravitated to a circle of musicians who sounded particularly melodic.

"May I listen" I enquired
A guitarist answered "Better if you join in, get your instrument"
I replied "I have a banjo in the car but I cannot play it yet"
The guitarist said "I like the word yet"
The Banjo Player said "It will ruin your life"

No one in that circle knew me and although I could not play a musical instrument I was made to feel welcome. Their kindness was to extend to the whole weekend. The banjo player was called Martin Blake who later become my tutor. The guitarist was Dave Norton who became a friend. Although I did not realise it at the time I had joined a community, a musical family, before I could even play!



A group of Bluegrass musicians from Wales picking at the Wharf

The following year the Wharf Picking Weekend moved from Holt Fleet near Ombersley to the Stoke Prior Social Club near Bromsgrove, where it has been held ever since. It had swapped the River Severn for the Worcestershire and Birmingham Canal - both attractive locations.  The music and the general bon ami, however, remained the same.


Martin Blake leading a Banjo Workshop, me in the white hat, photo courtesy of truenorthmusic.co.uk 


The Worcestershire and Birmingham Canal, the Boat and Railway Inn on the right

The Stoke Prior Social Club is still the location for this picking weekend and this year the dates are 15-17 May. There is plenty of room for camping and as usual there will be workshops and evening concerts.

The full address of the location is:

Stoke Prior Social Club
Weston Hall Road
Stoke Prior
Bromsgrove
B60 AL

For further details email Francis at wharfbluegrass@btinternet.com or phone 7807358504

See you there!

The Autobiographical Bit

In 1977 I took up my new appointment as a lecturer in Information Technology in London. This was a promotion and so for the first time in my life I was able to take out a mortgage to buy a house. London prices were far beyond the means of Frankie and I and so we looked to suburbia. I discovered a new build house on an estate in West Sussex and put down a deposit. When the house was complete we all moved from Mortlake - where we were renting - to the village of Crawley Down. Natasha was 3 years and Laura was a baby.



Natasha and Frankie at our first house in Crawley Down




Natasha and Laura in the garden built by my me and my Father-in-law